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Release type: Single

After Ruso

These tracks try to represent an early morning moment in Madrid’s nightlife, just before the sun rises, where time seems to stand still. People take refuge in dark cubicles with colored lights, techno orchestras and Russians taking personal data on tin toy forms to avoid fines.

When they run out of energy, they start their way back home by subway… Those lucky enough to take line 6 enter a loop of drowsiness and can spend hours spinning around the circular line, a phenomenon worth seeing up close.

If your room starts to smell of cigarettes and warm Mahou beer, we’ve probably done a good job.

Acra Navidena

Every noon on the 24th of December, his mother would start the preparations for Christmas dinner by playing an old Christmas carol record. Slothrop and his siblings had loved this as children. Over the years the repetition of the ritual had grown tiresome and tiresome. At the same time, they did not want to offend their mother’s tradition.

So one day a brother suggested to Slothrop, who was the only one who knew anything about music, that he should renew the Christmas musical repertoire, preserving the emotions and feelings that the traditional music aroused in their mother, but updating its sound palette and rhythmic cadence.

This short EP condenses Slothrop’s familiar Christmas experiment.

U Can’t See Us

U Can’t See Us is a track by two Madrid based artists, Miki Di Sancio on vocals and lyrics, and Ju-Ju on production and programming. Released by the Barcelona based label The Nü World Music.

The beat is inspired by Uruguayan candombe, while influences of synthwave and cyber punk are marked in the melodic instrumentation. The vocal synths are made with a Commodore 64.

The track is about the obvious and the invisible, about the things that are present but not discovered, about what’s hidden before your very eyes. Essence, urbanity, camouflage, action and distraction from everyday life. Whoever blinks, will never see it.


Fenta is a dark but groovy track that talks about toxicity, so latent in these times. The track is built with electronic bass, hard trap drums and raw vocals in a low fi key.

Ojos de Rana

Ojos de Rana is a soundscape with acid house and electro influences, geared towards the dance floor, but with a rather cinematic melodic journey.


Afrundo is composed of 2 tracks for the dancefloor that experiment with different approaches to the kick and snare of the dembow pattern, threading them with other rhythms, spaces, tempos and imaginaries of global electronica. Includes a bonus track for Bandcamp + Soundcloud.

High on cymatics

About High on cymatics

It sounds like a distant reggaeton echoing under a hot shower, competing with eerie synths and a rhythmic section reminding of the sweat of the first baile funk. An energetic and irreverent track created with Ableton, Roland SP404 sampler, Critter and Guitari’s organelle besides Buddha Kopta’s voice. Zenjiskan relates, “It came out of an experiment of layering and stretching the main sample. At first, the track was going to be an instrumental, but when Buddha Kopta heard it, we immediately tried some lyrics and found out they were elevated the track. Aqueleque’s remix also came out organically, he simply was the best candidate for it.”

Shiny and used

Single + RMX Shiny and Used by NxHxR f. Shena Pala + Oblinof Remix


Xihuitl is a word that means comet in the ancient language of Náhuatl. This new release from TROPICAL TERROR is packed with experimental textures and organic layers taken from the deep Maya jungle. The ancient future sound of TROPICAL TERROR is well represented in this 3 tracks release.